Shameful Behavior
You go out. You talk to a lot of people you don't know. Maybe you gossip a
little. Maybe you flirt. Maybe you try too hard and end up acting just a bit
like someone else.
You wake up the next day with the uneasy feeling that you've just gotten drunk
and had a one-night stand. But you haven't. You just have what I think of
as a mild "shameover," that uneasy feeling that you've woken up with a
stranger and that stranger is you.
Maybe this has never happened to you because you have the uncanny ability to
be yourself in every social situation, no matter how insecure and uncomfortable
it may be.
I have not been blessed with this sort of social gift. I get nervous and blab
things about other people or just share overly personal stories about myself in
some desperate attempt to connect. I start acting either overly flamboyant or
overly cynical. Sometimes, I just clam up in the vain hope that my silence will
be perceived as depth or some deep, quiet self-confidence. It is only the
rare social occasion that finds me hitting my personal groove, witty quips
and bon mots flying from my mouth in just the right amount.
With the holiday season and its accompanying array of social engagements
upon me, I find myself thinking about one of the many platitudes I've never
understood: "Just be yourself!"
That's one of those pieces of advice that's deceptively simple, like "just do
your best" or "just have a good time." One's self is an exquisitely complex,
elusive, multi-faceted, ever-changing organism. I barely have a hold of my
"self" at my most peaceful moments; throw in a cocktail party full of
strangers, the prospect of forced banter with my boss, an ill-fitting garment not
worn since the last festive occasion and various other anxiety-producing elements
and I'm totally lost.
Most people who know me are shocked to hear this. Despite all the meshugas
going on inside, I've managed to construct a social persona that
generally comes across as self-assured. I've done this in much the same way a
British actor approaches a role, from the outside in. My Hamlet isn't about
passionate emotions, he's all about a fancy accent and a period costume.
In the most technical way, I've borrowed mannerisms from the socially adept. The
way I sit, for example, elbow slung across the back of my chair, was stolen
from a girl whose name I don't remember in a college class I don't remember. My
best trick is stolen from an ex-boyfriend of mine who everyone loved.
Like him, I latch on to some aspect of a person's job or hobby and inquire with
what must read as true curiosity, as in "tell me more about how you got into
plumbing" or "how does the temperament of beagles differ from that of other
breeds?"
This is the only way I have of simulating what seems like acceptable
human behavior. Without such techniques firmly in place, I end up saying things
like "What's in this green dip? Algae? Should I put it on a cracker or just go
lick a mossy rock?" It's like my own special strain of cocktail conversation
Tourette's Syndrome, and it can strike me anytime. One minute I'm sipping
Chardonnay, the next I'm inexplicably asking my coworker if he's always had
"walleye."
Not good. Not unless you're prepared for a stiff shameover.
There's an old Yiddish saying, "Even in paradise, it's not good to be alone."
It's for that reason, and for the few stolen moments of social grace and
nourishing human contact that I manage to eke out, that I persist, when my
deepest impulse is often to just stay home.
When I was a teenager, my mother told me I should always go to every party to
which I was invited. "You never know who you might meet," she'd say. Which is
true. She also told me that everyone feels this way, which may also be true
to a certain extent. I just hope that with age and practice, when I take that
deep inhale before the door opens and the social onslaught hits me, I'll know
more what I mean when I say in my head, "Just be yourself."
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