Star Stricken
My ex-boyfriend is a star.
Just when I thought he was securely fastened in my past, he is suddenly
and jarringly in my present, whirring by me on the side of a bus,
staring at me from the cover of "TV Guide," cracking jokes on late night
TV.
In short, he is everywhere. As the host of a hugely popular summer
television juggernaut, he is unavoidable. The experience of watching my
ex become everyone's punch line or adolescent crush (depending on who
you ask) has been nothing short of surreal.
Recently, I saw a sketch comedian doing an impression of him on an
awards show, imitating his laugh, his intonation. While my ex was being
lambasted, I didn't know whether to feel defensive or proud, jealous or
relieved, impressed or left behind. After all, I was home tending to the
chips in my pedicure while he was performing for the masses, hair gel
glistening under the lights. I was Art Garfunkel, home alone watching
Paul Simon on Grammy night, sipping a fifth of regret; I was the Ike to
his Tina.
At first, his fame was no surprise. I don't want to say he was ambitious
but it was a lot like dating Eva Peron.
After a few weeks, the novelty of his big break wore off. I started to
feel pangs of the old familiar competition we had, which I was clearly
losing. I remembered how I used to describe us as two ships
passive-aggressive in the night. Memories of him shuffled into my head
at every opportunity.
Like scenes in the documentary of his life I'll probably be asked to
appear in one day, I relived some key moments. There was the time he
told me I wasn't funny, which was just about making me throw my Diet
Coke at the TV last week when he opened with a joke I wrote. Actually,
it wasn't really a funny joke, but the point is, it was mine.
It also dawned on me I must be part of a large and sad group whose
members are watering their grudge gardens all over the world. I'm sure
there's some guy who went to the prom with Julia Roberts, a girl who
once dated Bill Clinton. When you think about it, for everyone who
attains celebrity, there are at least a handful of people who aren't
happy about it.
Or are they? At first, I didn't tell anyone about my brush with
pre-fame. After awhile, I was waiting for any excuse to drop it into
casual conversation. My mailman knew I dated The Famous Guy. I would
feign embarrassment, to avoid the appearance of bragging, but something
in me had to spread the word.
If The Famous Guy dated me, I must be important, right? I dated him
because I thought he was talented and charming, which is why he's
famous, so I must have excellent taste. Check me out.
I've had to ask myself some big questions. What's so great about fame?
Does it make life that much richer? Does leasing a BMW make you happy?
If here on earth we keep score with fame and money, I lose, but why am I
competing? Why can't I be happy with a few angry Jewish Journal letter
writers mocking and demeaning me, why do I need the whole country to
join in? Doesn't touching a few - albeit, some the wrong way - equal
being known by many? And why do poor obscure people always yammer about
how money and success don't make you happy.
Yesterday, my dad called. As with many of my conversations lately,
Famous Guy came up but my dad insists on being the only person in
America who hasn't seen his show.
As previously reported here, my dad is one of three students enrolled in
a beginning Yiddish class at a junior college in the Bay Area. He is
obsessed with Yiddish and far more interested in that than in why Famous
Guy is so Famous. He had talked to a man at a music store on Fairfax
about some Yiddish recordings by a singer named Chava. He asked if I
could pick them up for him.
"Chava Negilla?" I asked, over the phone.
"No, Chava Alberstein. The owner says the one recorded in Israel is
better. Only go if it's not bother, but it's Friday so you better leave
before they close but only if it's no bother."
That's how I ended up in a little store cramped with Jewish music. The
owner remembered talking to my dad and gathered the CD's. When I signed
the credit card receipt, he recognized my name. A large Israeli man
behind me chimed in.
"You should write about Israeli folk dancing," they said. And Sephardic
music. And come back again.
I Couldn't help but feel my dad had sent me on this mission to a place I
belonged, not on the side of a bus, but in a little storefront crowded
with obscure Jewish music, down the street from a falafel shop, across
from Cantor's.
They hadn't heard of Famous Guy either, but don't think I didn't ask.
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